6.28.2007

How big should my screen be?

This is a common question that is asked lately because screen sizes have increased dramatically in recent years. It is not uncommon for plasmas and LCD TVs to be offered in 60" to 65" models and even larger. With front projection systems becoming less expensive and more popular, theatre screens easily range from 84" to 120" providing an incredible cinema-like experience.

So what is the definitive answer?

In this “super size me” world that we live in, bigger is not always better. The general rule of thumb is to measure from the screen surface to the seating area. Take this measurement and divide by two. That is the maximum size that you should consider for a screen size or the image will begin to appear grainy. For example, if you have a 50” plasma, you should be seated at least 100” away. This is because you will actually be able to differentiate between pixels. Pixels are the individual points of color that a screen displays. There are millions of pixels in a typical display and the more pixels you have, the better the resolution.

Often times during the discussion of screen size, another question arises. How high should I mount my new flat panel TV or cinema screen? The optimum height will put the center of the display at eye level. Keeping in mind that most people are slightly reclined when watching TV, that places the center of the display at approximately 48” to 50”. Bedroom TVs are typically mounted higher because we are typically lying in bed while viewing. Because many flat panels are mounted over fireplaces, we often find TVs mounted higher than this standard but somehow the look of a flat panel over a fireplace makes it easy to ignore the standard height.

Remember that all of these measurements are rules of thumb to maximize your viewing experience. If you really want that ‘next size up’ or you ‘gotta have’ it over the fireplace, don’t be afraid to push the envelope a little bit. After all, we shouldn’t be super sizing our fries at the drive thru either but it sure is satisfying.

Designing a Home Theatre

Home theatre design starts with careful planning. There are many factors to consider and some of them have already been covered in some previous articles on this site. I will link you to them during this discussion. The points covered in this article are meant to apply to any theatre design regardless of whether you are building a room from scratch or putting a theatre in an existing room.

The Room:
This is the most important consideration when planning your home theatre.

  • First determine the size. You can read the past Tech Tip on, “How to size a Room for Home Theatre”.
  • Where will the seating be located
Sound Treatment:
  • Sound treatment is not the same as sound proofing. Think of sound treatment as a method to “tune the room”.
  • This is an important step in theatre design. Generally it requires a trained ear or specialized equipment to expertly tune the room but many times the sound problems are obvious. Muddy or booming bass is the most common problem. Also look for unintelligible dialog from the center channel and tinny sounding highs. The proper wall treatments can eliminate these problems.
Components:
  • Display size: see the article on this page “How Big Should My Screen Be”.
  • Determine Surround Sound format- 5.1 or 7.1. 5.1 is sufficient in most applications. 7.1 is desirable in very large rooms or dedicated cinema rooms.
  • Audio Video Receivers- 85 watts per channel is a good power rating for an average size room (200 square feet and under). Add 15 – 20 watts per channel for every additional 50 square feet.
  • Speakers- Determine type: in-wall, in-ceiling, surface mount, bookshelf or floor tower.
  • DVD Players- Choose standard definition player or one of the new high definition formats: Blu Ray or HD-DVD
Remote Control:
  • To make your theatre experience more enjoyable it is a good idea to get an all-in-one remote control.
  • There are numerous brands available. Go for the simplest layout large buttons, large labels and good backlighting. If you can, get a color touch screen model. They are easy on the eyes and add to the cool factor of you home theatre.
  • Most all-in-one remote controls do something called macro commands. This will turn on all devices and set to the proper inputs with the press of one button. It will also turn all your components off with the press of a button.
Lighting:
  • Aesthetics are important in your home theatre. Setting the right mood makes the theatre experience more authentic and enjoyable.
  • Use multiple lighting zones to create a choice of “scenes or settings”. Three or four is ideal.
  • There are many choices in lighting controllers to create & control lighting scenes.
  • Many operate with a remote control so they can be added to your all-in-one remote. An example of a very cool remote control macro would be pressing the play button so the movie starts and the lighting dims automatically to the desired level.

How to size a room for Home Theatre

Ok, so you ready to build that new home theatre room you have been dreaming about forever. You convinced your wife, that prices have dropped as low as they can go and you compromised on making part of the finished basement an exercise room. So do you know where to start? Sure, you say, I’ll go out and buy the biggest TV I can get through the basement door and the most powerful subwoofer know to humankind. Hold on a minute Mr. 2000” TV. Size does matter but I’m talking about room size here! Yes a properly sized display and a high quality subwoofer are essential to the theatre experience but there is something that is even more crucial. The room! That’s right! Believe it or not the room is the most important part of the equation. If you are blessed with the opportunity to start from scratch when planning your new Home Theatre there are many factors to consider to obtain superior sound and visual bliss.
Here are some very basics rules:

  • Never build a perfectly square room or a room with dimensions of exact multiples. Example: 10’ X 20’, 15’ x 30’, 16.5” x 33”…… unless of course you really like to hear echo, echo, echo. Just alter the dimensions somewhat like: 10’ 4” x 20’. It doesn’t take much.
  • Minimize the use hard materials such as; tile, glass, stone and metal. Think soft and absorbent; Rugs, carpets, fabric.
  • Dedicate your room as a cinema room. There nothing wrong with putting the pool table and bar in its own room. You can always add a TV in the rec room.
  • Avoid opening into another room. Sound like four properly dimension walls to bounce off.
  • Choose the display wall and seating arrangement paying particular attention to the size of the TV in relation to the seating distance. See the previous article on “Sizing your new TV”.
  • Layout speaker location. The attached link is a great resource for laying out a surround sound theatre
  • Locate display height for ideal viewing from as many seats as possible but with particular attention to the main seating. It is most desirable to look straight into the center of the display while seated. In a true theatre seating arrangement it is more desirable to step up rear seating by 6” than to raise the screen.

More than the basic:
http://www.dolby.com/consumer/home_entertainment/roomlayout.html
http://www.hometheaterbuilder.com/issue/OptRmDim.htm
http://cedia.net/homeowners/acoustical.php
http://www.hometheatermag.com/bootcamp/140/
http://www.webopedia.com/DidYouKnow/Computer_Science/2005/surround_sound.asp

HDTV: Who started it and where is it going?

In 1988 Japan announced a new TV viewing standard, High Definition. Just like that a new technology race was born and Japan was the undisputed leader. America had nothing like it and billions of dollars were at stake. At the same time another technology was exploding – wireless, or as it was called at the time, land mobile. Wireless device manufacturing companies led by Motorola, were clamoring for more spectrum on the airwaves. This is the invisible superhighway that wireless signals travel on. Wireless signals share the airwaves with TV and radio frequencies and there is a finite range of frequencies that can accommodate these vital signals.

Meanwhile, think back to when radio, and later TV, became available in the US. In 1934 the government created the Federal Communications Commission (FCC) to regulate the distribution of the airwave spectrum so signals would not interfere with each other. TV and radio companies were given this spectrum at no cost as long as they did not charge the consumer to view or listen to these transmissions. Fast-forward to the 80s as new wireless technologies such as pagers and mobile phones came onto the scene. The FCC began auctioning off available spectrum to the highest bidder, since the wireless companies profited from the new services.

As more and more wireless services came to the market, available spectrum became scarce and the prices paid at spectrum auctions became quite lucrative for the government. The FCC knew the TV broadcasters had much more spectrum allocated to them in the early days than they were using, so the FCC let it be known that they would be taking some of it back. The National Association of Broadcasters (NAB), realizing how valuable the spectrum they owned had become, did not want to give any of it up. With a strong lobby in Washington they began to devise a way to hang onto their coveted spectrum. HDTV gave them the perfect excuse.
The NAB argued that they needed the spectrum to bring HDTV to America and they could not afford to lose any spectrum because this new HDTV signal required much more bandwidth, or lanes on the spectrum superhighway, than the existing analog TV signal required. This seemed like the perfect argument, and it was. The only problem was, they did not have an HDTV system. They didn’t even have anything on the drawing boards.

Since there were millions of dollars at stake, Congress and the FCC did not just take the broadcasters at their word. They set benchmarks and deadlines for broadcasters to launch HDTV. It became a long and arduous journey throughout the 90s with many companies vying to get their format approved to become the American HDTV standard. Deadlines came and went, and so did leadership at the FCC. Finally, in the late 90s a new standard was adopted. It was called the Advanced Television Systems Committee (ATSC). It would be based on digital technology which would allow the signal to be compressed which would save space or spectrum.

The new digital broadcast system would require a complete revamping of the broadcast industry. Everything would need to be replaced: towers, transmitters, cameras and of course televisions. To view the new signal the consumer would need to replace their televisions, or at the very least buy a set top conversion box. The FCC realized that this was going to take some time, not only for the broadcasters to upgrade their equipment but for the manufacturers to come up with an affordable set top box for consumers who could not afford to just go out and buy a new digital TV. The FCC set a benchmark of $100 for the set top box.

Since the new standard called for a digitally compressed signal this would help the FCC’s original goal of getting some spectrum back from the broadcasters. (Remember how this all started?) But the NAB had another argument. They still would not be able to give up any spectrum until the complete conversion to digital was complete, since they needed to simultaneously broadcast both analog and digital signals. The FCC concurred and a date was set to make the conversion to digital. This meant that the analog signal would be turned off for good and non-digital sets would cease to work unless they were outfitted with a set top conversion box.

The original conversion date was set at mid-2004. Since that date was set it has become a moving target with the latest conversion date being Feb 16, 2009, over twenty years since the whole debate began in 1988! This date seems to be pretty certain for now, but I’m not betting the farm on it. Our advice? Stayed tuned!

Condensed from Defining Definition: How Broadcasters Lured the Government into Inciting a Revolution in Television, by Joel Brinkley, 1998.

6.27.2007

Plasma vs LCD: Which One is Better?

This is by far the most asked question we get in the biz. The better question would be, what TV is best for me. It is a valid question but not as cut and dry as we would like to see it. One thing is certain both technologies continue to improve with each new generation.
Advantage Plasma:
I will say right up front that I think Plasma wins the picture quality battle over LCD. Due to the manufacturing process, Plasma TV’s have the advantage on one very important factor and that is black levels. Simply put the blacks are blacker and this is the most important factor when it comes to contrast and color saturation. LCD TV’s leak some light between pixels where the black resides which causes the blacks to wash out somewhat and the colors to fade. Another advantage that Plasma has over LCD is a greater viewing angle. LCD tends to degrade slightly in brightness and color when it approaches its maximum recommended viewing angle. The Plasma TV’s picture quality will remain constant throughout the viewing range. Plasma will also give you the best bang for the buck when you get into the larger sizes. Currently, the crossover point seems to be about 42” whereas 42” and up is a better value in Plasma models, although, this is an ever changing target.
Advantage LCD:
LCD TV has its share of advantages over Plasma TV. The greatest advantage is brightness. I recommend LCD when a customer has a lot of natural light in a room. LCD’s better utilize resolution so the image appears slightly sharper. With LCD’s, it easy to be green. LCD’s are about 30% more energy efficient than Plasmas. Talk about guilt free TV. When it comes to choices of size and configuration LCD wins hands down. Models start from 5” and go up in 2” increments. You can get them with speakers on the bottom, on the sides, speakers that are integrated or removable. You can also get cabinet colors in black, charcoal, grey silver and white. Plasma TV’s are generally black or silver and do not come in sizes smaller than 37”. When it comes to small TV’s, LCD is where you get the best bang for the buck. It seems like every time I check the price on an LCD, it has dropped again.
Genius Tip:
Whichever TV you determine is the best choice for your situation, make sure that it comes with a digital tuner. Sometime 2009 analog transmission will be discontinued (no really the FCC said it so it must be true). You don’t want to find yourself needing to buy a set top box or adapter to use your TV.